This triple LP lets the chart-topping MCs show off everything from spacey psychedelia to brisk trap – but its sheer size ends up diluting their pop genius, Mon 7 May 2018 06.28 EDT Rae Sremmurd: SR3MM review – Outkast's would-be successors think too big. Even with features from Future, Travis Scott, Juicy J, and The Weeknd, the rest of the album carries it’s weight.
Share br />this article: Rae Sremmurd are at the top of the world. The album features guest appearances by Juicy J, Travis Scott, Future, Pharrell, Young Thug, The Weeknd and … SR3MM is the third studio album by American hip hop duo Rae Sremmurd.It was released on May 4, 2018, by Ear Drummer Records and Interscope Records.The triple album also includes the debut solo studio albums by each of the duo, Swaecation by Swae Lee and Jxmtro by Slim Jxmmi.
Where recent marathons like Migos' gratuitous Culture II felt more about streaming algorithms than art, Sr3mm rarely wears out its welcome.
A 27-song, three-disc record of all new material is not the kind of thing you’d associate with a pop-friendly hip-hop duo that had its first hits just four years ago. But Rae Sremmurd’s rowdy, free-spirited, super-catchy songs are the perfect antidote for that cynicism; and since 2014’s less-is-more banger “No Flex Zone,” their music has grown lusher, their cadences more complex, making the leap to Sr3mm less of a stretch that it might seem. The problem with the Outkast comparison is that Speakerboxxx/The Love Below was one of those rare occasions when an artist maxes out the capacity of two CDs without longueurs or recourse to filler – it had to be two-and-a-half hours long to accommodate the duo’s multiplicity of musical ideas, which stirred everything from trad jazz to drum’n’bass to 60s sunshine pop into the mix. Want more Rolling Stone? It’s followed by Rock N Roll Hall of Fame, a track in the mode of the Mannequin Challenge-soundtracking 2016 hit Black Beatles, the bragging undercut by oddly mournful music, a vague hint of hurt in the lyrics about the way Rae Sremmurd were initially received: “I’m feeling pain, but I don’t know how to show it … put a little hit on the charts and they know it.”. Not Jxmmtro. In addition to two solo albums, Swae Lee’s Swaecation and Slim Jxmmi’s Jmxtro, it also features a collaborative effort: “Outkast fans, we still waiting on that, the next project with both of them together,” said their producer, clearly no great fan of Outkast’s admittedly flawed but undoubtedly collaborative 2006 follow-up Idlewild.
In part 1 of my 3 part review for this album, I look at their collaborative effort, “SR3MM!”
In This Article:
And in the era where extra-long albums are intentionally padded to boost streaming numbers, it’s easy to feel cynical about the motives behind the sprawling Sr3mm, which is split between a disc of traditional collaborative fare and solo showcases for Swae (Swaecation) and Jxmmi (Jxmtro). Hip-Hop, Rae Sremmurd. The triple album format springs to mind career-surveying hits compilations, Zappa-type improvisations, Grateful Dead live sets or the Clash’s Sandinista! Mocked from the start as shallow, an accusation that’s never quite left them no matter how many platinum singles they make, you can understand why Rae Sremmund might want to make an ostentatious artistic statement.
from the top of the US chart was its follow-up, The Way You Move. It might be compared to Speakerboxxx/The Love Below, but unlike Outkast was during that album's release, Rae Sremmurd prove they're still on an upward trajectory with SR3MM. Although it's clear that Rae Sremmurd is better when Slim Jxmmi and Swae Lee operate as a unit as displayed in the miraculous first disc, SR3MM still holds up as a solid three-disc album. The hip hop duo’s 27-track opus takes the electric chemistry that made them stars into rich new territory.
Send us a tip using our anonymous form. It’s not so much that the duo announced that their third album was made in the image of Outkast’s 2003 album Speakerboxxx/The Love Below, although that in itself obviously constitutes fighting talk: Speakerboxxx/The Love Below went 11 times platinum in the US alone, won three Grammys and so dominated pop music on release that the only thing that could depose its first single Hey Ya! Available for everyone, funded by readers. It’s just that the grandness of the presentation slightly oversells the contents. Review: Rae Sremmurd’s ‘Sr3mm’ Is a Triple Album Crackling With Promise The hip hop duo’s 27-track opus takes the electric chemistry that made them stars into rich new territory Fantano Reviewed Albums: By Highest Rating (INCOMPLETE). John Mulaney, the Strokes Set for 'SNL' Halloween Episode, Jerry Jeff Walker, Outlaw Country Architect and ‘Mr. the first disk is honestly their best album but the other two sucked pretty bad. Still, at least album highlight Powerglide justifies its five-minute length, by dint of being equipped with a fantastic, propulsive sample sourced from Side 2 Side, a 2009 single by Three 6 Mafia (whose Juicy J makes a cameo appearance) and a chorus so brilliant and addictive it’s impossible to hear it enough times.
But as their longtime producer Mike Will Made It pointed out last week: “They only got 26 songs before this project.
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Not Swaecation. A decent triple album, but it would have been better yet boiled down to an eclectic single album, the best solo tracks sitting alongside the group efforts: not so much reining ambitions in as realising less is sometimes more. Mike Will's production is razor sharp here and often saves cringeworthy, sloppy lyrics from the Sremm brothers and guests alike. The emo future-R&B songs on Swaecation are lush with melodies, while Jmxto’s Mike Will Made-It authored beats are impressively tough, not least the electrifying Brxnks Truck and the swooping bassline of Keep God First. Abuse of this feature may prevent future contributions from your account. We want to hear from you! Taken as a whole ... the album is a serious time investment. Rae Sremmurd divide up along roughly Outkast-ish lines, with Swae Lee in the Andre 3000 role as a kind of romantic, psychedelic star-child, as given to crooning as he is to rapping – the cover of SR3MM features him with a rose between his teeth and arms filled with cuddly toys – and Slim Jxmmi the keeper of the hip-hop flame in Big Boi mode. Once Rae Sremmurd have established their two distinct personas, they’re set: their respective albums continue in the vein the opening tracks establish without really throwing any curveballs (a bizarre appearance by Pharrell Williams notwithstanding, singing in an eerie, alien falsetto on Jmxtro’s Chanel). Wherever the brothers go from here — as a duo or as solo artists — it’d be wise to follow. On the haunted-sounding “Chanel,” guest Pharrell sounds as though he’d been inhaling laughing gas just before stepping into the booth, and the minimalist pan flute beat of “Anti-Social Smokers Club” sounds as if it was crafted by a wasted Pied Piper.
All rights reserved. When it hangs around for five minutes – as on Bedtime Stories or Up in My Cocina – their talent is spread thin, and things become too repetitious for their own good. © 2020 Guardian News & Media Limited or its affiliated companies. No one is ever going to accuse Rae Sremmurd of lacking ambition.
Where recent marathons like Migos’ gratuitous Culture II felt more about streaming algorithms than art, Sr3mm rarely wears out its welcome. The elevator pitch for the SR3MM/Swaecation/Jxmtro triptych is that having all three will allow the listener to see what both Swae Lee and Slim Jxmmi are capable of on their own, in addition to what they can do together. This is the rating for Sr3mm. SR3MM delivers quantity and quality by zeroing in on its creators’ charisma, clarifying the appeal that’s been there the whole time.
It's way, WAY too long and has some horrible features packed into way too many songs. As their 3rd effort, Rae Sremmurd didn’t disappoint and brought their distinctive sound per usual. Still, an hour and 40 minutes of music is a tough ask. Take Close: concise and taut, based around a sinister keyboard figure and blessed with a surprisingly relaxed verse from Travis Scott, it is teeming with ideas. If there's one thing I learned from SR3MM, it's that the Rae Sremmurd brothers work better together. Last modified on Mon 3 Dec 2018 10.14 EST. The best evidence is “Powerglide,” an ode to Swae’s slime-green Lambo that feels how the titular word sounds: so fast and smooth you’re practically flying. The project’s spiritual predecessor, OutKast’s Speakerboxxx/The Love Below, marked the beginning of the end for André 3000 and Big Boi’s creative partnership; but Swae and Jxmmi’s solo turns crackle with promise — and there’s nothing matching their electricity when they’re in the zone together. This album, as a whole, is the embodiment of needless excess. The collective album, overall, is more innovative, more daring, and flat-out riskier than its predecessors. Eleven or 12 of ’em are platinum.” Not bad for a couple dudes who, not too long ago, were squatting in an abandoned house in Tupelo. SR3MM's titular disc leaves little doubt that the two brothers work best in tandem. A similar desire for grandiosity also slightly undermines the collaborative album SR3MM. SR3MM is no longer the bane of my existence, but it's still one of the worst rap albums of 2018.
It’s more that the Brown brothers and their producer Mike Will Made-It have suggested that it’s an improvement on Speakerboxxx/The Love Below. Neither of the albums are as epic a statement as the concept suggests, and the best tracks from each could happily live side by side on a single album.
That isn’t to say that what’s here isn’t good: it’s frequently very good indeed. Then again, most duos aren’t Rae Sremmurd.
However, broken up into three parts as intended, it provides a trio of easily digestible bites that gives Swae Lee and Slim Jxmmi freedom to indulge their own artistry while maintaining their bond as a duo.
I don’t actually count those as part of the third SremmLife.
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