She shows a vulnerable ... See full summary ». According to RKO records, the film lost a whopping $363,000,[1] and thus began a downturn in Hepburn's career (causing her to be branded "box office poison") from which she would eventually recover. While on the channel ferry, they meet a "gentleman adventurer", Jimmy Monkley (Cary Grant), who partners with them in his con games. After a disastrous test screening, Cukor and Hepburn reportedly begged producer Pandro Berman to shelve the picture if they agreed to make their next film for free. Katharine Hepburn as Sylvia Scarlett / Sylvester in Sylvia Scarlett (1935) (IMDB) George Cukor's gender-bending Sylvia Scarlett proposes a heroine who … He was born and grew up in Bristol, which has a very different accent from that of London, although it was much closer to Grant's pre-Hollywood accent than the voice he used in most films, a product of his attempting to sound more American in order to broaden the range of roles for which he could be cast. Comedy, Certificate: Passed When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others. Grant's performance as a dashing rogue sees him incorporate a Cockney accent and remains widely considered the first time Grant's famous personality began to register on film. A famous female flier and a member of Parliament drift into a potentially disastrous affair. At the same time, Fane shows more interest in Sylvia while in drag, and losing it after she revealed she is a woman. Check out our picks for family friendly movies movies that transcend all ages.

"[5] John Mosher of The New Yorker was positive and found that despite Hepburn's difficult role, the picture was "charming, sparkling with the feeling that Compton Mackenzie gave his novel of romantic vagrants. The Early Life and Adventures of Sylvia Scarlett, "The Screen: Katharine Hepburn and Edmund Gwenn in 'Sylvia Scarlett,' at the Radio City Music Hall.

"'Sylvia Scarlett' with Katharine Hepburn, Cary Grant and Brian Aherne". Use the HTML below. [17] Some, on the other hand, have considered that "these deliciously cheeky invitations are met with sexual panic and a predictable retreat into befrocked femininity".[18]. The script is also weak, as it relies on the audience using their imagination far too much in order to fill in the gaps we assume exist in the novel.

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While in drag, Sylvia is kissed by a woman and Monkley comments that he'd made "a proper hot water bottle" when they are changing to go to sleep. ", "List-o-Mania: Or, How I Stopped Worrying and Learned to Love American Movies", Sylvia Scarlett (1936): Starring Katharine Hepburn as Boy and Cary Grant before he became Star, Queering Classic Hollywood: The Allure of Queer Romance in “Sylvia Scarlett”, Historic reviews, photo gallery at CaryGrant.net, https://en.wikipedia.org/w/index.php?title=Sylvia_Scarlett&oldid=979670829, Creative Commons Attribution-ShareAlike License, This page was last edited on 22 September 2020, at 02:46. If it hadn't been for this clumsiness, I would have given the picture another star for scope.The film gets the five stars I gave it for Cary Grant's performance, which is one of the best of his career, a superb, well rounded job, and of course it is good enough to deserve a recommendation for the film, even if everything else about it was not-so-good.

When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others.
Along the way, they meet a con artist named Jimmy Monkley. Movies. Sylvia has to decide whether to come out as a girl not only to Michael, but to Jimmy and Maudie as well.

The review added that "Cary Grant, doing a petty English crook with a Soho accent, practically steals the picture.

Steve receives conflicting reports and tales that make him question what the truth about the hero is. Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." When that doesn't pan out, they instead decide to use one of their fronts, as a traveling performance troupe of pierrots, for real, which will include one of Jimmy's friends, a simpleminded Cockney maid named Maudie Tilt. However, he finds things are not the way they were when he left. When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others. Getting physical with language by Anne-Katrin Titze, NYC Weekend Watch: Fassbinder Favorites, Buñuel, Queer Cinema, King Hu & More. Her husband, Henry Scarlett, a bookkeeper for a lace factory, embezzled money from his employers, money which he lost gambling. Indeed, it is that part of the film with Hepburn in breeches that is best. Action. Although their initial encounter does include a con, they ultimately decide to go into the grifting business together. If we are embarrassed by what we perceive as a bad performance, the whole thing's in danger of being embarrassing. A chronicle of the ambitions, dreams, and disappointments of aspiring actresses who all live in the same boarding house. In Europe at the start of World War II, a woman notices that wherever her husband goes, the Nazis seem to follow. Synopsis by Michael Betzold This big-budget 1936 RKO Studios picture lost money, perhaps due to a cool box-office reception to the idea of leading lady Katharine Hepburn in drag, and a rare-for-its-day screen kiss between two women. [2], In a review published two days before his death, Andre Sennwald of The New York Times wrote, "With what accuracy Compton Mackenzie's novel has been transferred to the screen this deponent knoweth not.

The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords. Sylvia Scarlett is a 1935 romantic comedy film starring Katharine Hepburn and Cary Grant, based on The Early Life and Adventures of Sylvia Scarlett, a 1918 novel by Compton MacKenzie. In fact, this was the first time I ever caught myself thinking she'd put in a second-rate performance, but that's arguable - some will say that her boyishness actually was well done, and I can't entirely disagree with that.The truth is that this movie is bursting with melodramatic affectation, and that is rather off-putting to us who are so used to the post-Brando state of character representation. They are joined by amiable con man Jimmy Monkley, then, after a brief career in crime, meet Maudie Tilt, a giddy, sexy Cockney housemaid who joins them in the new venture of entertaining at resort towns from a caravan. Want to share IMDb's rating on your own site? Sylvia Scarlett Returning to England from France, the pair are conned by smuggler Jimmy Monkley (Cary Grant), but are impressed enough by him to join several of his unsuccessful swindling schemes. Franz Roberti is a famous orchestra conductor who has a number of girlfriends.

Menu. Snow has just passed away. This film was the first pairing of Grant and Hepburn, who later starred together in Bringing Up Baby (1938), Holiday (1938), and The Philadelphia Story (1940). Hepburn plays the title role of Sylvia Scarlett, a female con artist masquerading as a boy to escape the police. Meanwhile, a charming reporter is following them. We have to believe that the actor IS the character for the whole thing (writing, characterization, acting, everything) to be a success. 24 of 35 people found this review helpful.

Plot Keywords Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. (1935).

You can't really love this picture, to be honest, though I really do want to love anything with Hepburn. [9], The film is mostly known for its queer elements, with Hepburn's character continuing to do drag even after it is not necessary anymore for the character,[10] which "confused and disconcerted in equal measures. Be the first to contribute! You must be a registered user to use the IMDb rating plugin.

Through all this, amazingly no one recognizes that Sylvia is not a boy...until she meets handsome artist Michael Fane, and drama intrudes on the comedy. Complications ensue when Henry falls for Maudie, and Sylvia falls for an artist named Michael Fane, who they meet during one of their performances. Edmund Gwenn plays the title character's father Henry, who is … Richard Jewel, 'RKO Film Grosses: 1931-1951'.

Through all this, amazingly no one recognizes that Sylvia is not a boy...until she meets handsome artist Michael Fane, and drama intrudes on the comedy. Looking for a movie the entire family can enjoy? Was this review helpful to you? When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others.

A poor socialite struggles in her newfound courtship due to the limitations imposed by her working-class family and unstable father. It is now seen as "a monument to the sapphic impression Hepburn left in Hollywood", [16] with the film implying "that Sylvia might stay as Sylvester forever", even as she enters a relationship with a man.
At moments the film skirts the border of absurdity and considerable of its mid-section is downright boresome." Sylvia Scarlett (Katharine Hepburn) and her father, Henry (Edmund Gwenn), flee France one step ahead of the police. Mosher, John (January 18, 1936). [13], Some have argued that "Gender as a separate concept from sexuality or physical sex wouldn’t come about for another twenty years, so audiences had no context for Sylvia’s odd apparel" through the movie. Looking for some great streaming picks? To avoid arrest, he decides to travel to England smuggling a few pieces of lace with which he can start life anew. Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others. ... See full summary ». But the film has a sprawling, confused and unaccented way of telling its story that might easily be the result of too literal a dramatization of just that sprawling kind of book.

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