The new album, which was premiered with a visual companion (The Movie) is an immersive journey into Baauer’s beautifully twisted mind. With a world-end motif and plenty of hard hitting bass, ‘Planet’s Mad’ is Baauer sincerely attempting to elevate his style. Fantastic animation from studio Actual Objects pairs brilliantly with the release, and with a complete narrative it would almost seem that Baauer succeeds in creating a fully defined moment. ‘GROUP’ is unfortunately unable to blame a short runtime for its underwhelming performance, and the track awkwardly closes the album with an unfocused ping-pong match between hard hitting bass and melancholic instrumentation.
1/2]. ‘PIZZAWALA’ and ‘REACHUPDONTSTOP’ are featured back-to-back on the album, two songs completely different in tone but equally excellent. Микрозаймы, или как ещё из называют, Start typing to see results or hit ESC to close. Baauer was supposed to released his new album PLANET’S MAD on June 5, but as the title foretold, the planet went fucking mad, George Floyd was murdered by the Minneapolis police department, the people took to the streets and the idea of releasing an album like this didn’t seem right. ‘Planet’s Mad’ is the continuation of his growth, a project that is roaring with energy at every turn.
They dance to the planet,” Baauer describes in relation to ‘REACHUPDONTSTOP’. But it isn't worth dying over, so don't go to a festival. Baauer was supposed to released his new album PLANET’S MAD on June 5, but as the title foretold, the planet went fucking mad, George Floyd was murdered by the Minneapolis police department, the people took to the streets and the idea of releasing an album like this didn’t seem right. Despite fizzling out, Baauer's sophomore album is packed with some quality bangers. Get a copy on Bandcamp, or other digital stores and support the causes below. Well, the London-based producer and big-beat DJ Baauer gets things right with the title of his second album at least. Since his debut, Aa, almost four years ago, Baauer’s signature electronic trap sound has garnered depth and evolved.He now shifts gears from his mainstream club anthems towards elevated tropical, melodic and jungle styles.
He now shifts gears from his mainstream club anthems towards elevated tropical, melodic and jungle styles. A thoughtful and intentional album that showcases Baauer’s sound coming into maturity from his early “Harlem Shake” days. Baauer. While it’s culled from a mélange of styles and influences, Planet’s Mad manages to stand on its own for its sonic depth and detail. On his sophomore album, Planet’s Mad, electronic music producer Baauer attempts to make sense of our world as it swirls in confusion. BRAVE SPACE ALLIANCE MY BLOCK MY HOOD MY CITY COLIN KAEPERNICK’S KNOW YOUR RIGHTS LEGAL DEFENSE INITIATIVE BLACK LIVES MATTER NAACP ACLU COLOR OF CHANGE FAIR FIGHT COMMITTEE TO PROTECT JOURNALISTS RECLAIM THE BLOCK. Artist Bipolar Sunshine creates a glassy and melancholic pop moment on ‘HOME’, which Baauer describes “a fresh, new, baby planet is born and begins its epic journey towards the Earth.” It is noted in the Spotify cards that Hudson Mohawke played a role in the song’s overall composition, evident in a lovely chord progression. ‘REMINA’ lasts less than a minute, and very clearly samples the works from other ambient and downtempo artists. , almost four years ago, Baauer’s signature electronic trap sound has garnered depth and evolved. The obstruction to this achievement is a lack of sonic strength, for ‘Planet’s Mad’ is simply too all over the place to appreciate in the way Baauer maps for the listener. With the release of PLANETs MAD Baauer has captivated my full attention with the same level of curiosity and excitement. Baauer’s attempt to create an all-encompassing linear storyline is evident in the latter part of ‘PLANET’S MAD’, and aforementioned ‘HOME’ is wedged in between ‘REMINA’ and ‘GROUP’. The heavy industrial and trap elements of yore remain, they’ve just chilled out a bit. Panic-inducing bass overwhelms the track in the best way possible, completely overshadowing album opener ‘PLANCK’, which feels largely like an impersonation of the wonky bass that innovators of the EDM genre(s) have churned out since 2015. On the title track we get a strong hip-hop bass that implies urgency, and a message that calls for change with its accompanying videos’s apocalyptic animation. COLIN KAEPERNICK’S KNOW YOUR RIGHTS LEGAL DEFENSE INITIATIVE. ‘Planet’s Mad’ is dystopian- the title track best proving an encroaching with sirens and larger than life drums. The maximalist production with booming drums, grinding synths, guitars and echoing fx make this perfect for throwing yourself off of various couches, beds and walls. – Baauer. Baauer – Planet’s Mad ALBUM REVIEW. A Baauer project is usually stacked with collaboration, but on this journey only one artist tacks on for the ride. It often enjoys moments of pure chaos like the heavy, big room techno on “HOT 44” or the tribal drums on “YEHOO” that fit the visuals on the full album movie released yesterday where an alien planet came to earth and took over ours. “Back on Earth a cult has formed around worshipping a planet. PLANET'S MAD only exacerbates that more so. Despite having been added last on the album’s track listing and also being one of the shortest songs on the project, it stands out for the better. “Yehoo” is a great example of this shift with its relaxed jungle vibes, as is “Cool One Seven One,” which gives us mystic flute action alongside an earthy, dark, yet energetic, hard bass. After defining one of the biggest 2013 memes with his 2012 hit single ‘Harlem Shake’, the subsequent years saw an evolution in Baauer’s taste level- from repetitive and obnoxious beats to well thought out compositions of EDM. Listen to the album now via LuckyMe, imagine your own festival and maybe it will be next summer. Baauer makes interesting use of vocals, from Punjabi samples on “Magic” and “Pizzawala” to hypnotic Caribbean-inspired cheers that punch the air in “Reachupdontstop.” On “Home” Baauer goes full-on pop with playful vocals and keyboards. It is a little strange to have such a loud record come out with live music at a standstill (over priced car raves and half full club set super spreader events do not count). There was no real way to follow that level of random success, but he tried with his 2016 album AA, where he collaborated with the likes of Pusha-T, Future, G-Dragon, M.I A. and others on a bombastic trap-heavy LP. Over the 12 tracks he pays hommage to a range of his biggest influences, from big beat to thumping tribal techno. He delayed it two weeks and it is out now on Juneteenth with the goal of raising money for Black Lives Matter, the NAACP and other related causes, which you can see at the bottom of the post.
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