National Theatre Presents CORIOLANUS Review—Cascading Red on the Roman’s Head. I somehow doubt White House aides are rushing to make sure the president catches Josie Rourke’s 2013 Donmar revival of this lesser performed Shakespeare play, which hit YouTube in the same week that Trump threatened to deploy the military against those out on the streets. Change ), You are commenting using your Facebook account. Of course, most people will be watching this production for Tom Hiddleston (pictured top), who strains every one of his Hollywood blockbuster sinews as the power-hungry soldier who addresses his supporters dripping in enemy blood but can’t bring himself to look at the Roman plebiscite in the eye. Coriolanus, Donmar Warehouse, review. Battle lines are drawn from the beginning as Tom Hiddleston‘s Caius Marcius is elevated from warrior to statesman via his persuasive mother. To take a play as epic in scale as Coriolanus and find a natural home within the intimacy of London’s Donmar Warehouse take a skill and lightness of touch that is not only rare but all so often missed. Whilst dealing with the often heavy Shakespearian mode of language and action, Rourke presents a sleeker and more adept vision of Coriolanus and his downfall. Available until 11 June. Tom Hiddleston strikes a commanding lead role as Caius Marcius Coriolanus, a complex Roman general struggling against political forces in Rome. Shane Morgan: Writer, Director, Producer, Facilitator. Wednesday 18 December 2013 13:21. Coriolanus is available to watch on The National Theatre‘s YouTube channel until 11 June. Open a copy of the play at any page and you can hear the sound and fury of Ancient Rome. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. In a play not known for its interior drama, Hiddleston is mesmeric as a vainglorious warrior dysfunctionally in thrall to his cosseting mother (a marvellous Deborah Findlay, above), who confuses past achievements for absolute entitlement and who is ultimately sabotaged by his pathological refusal to change course.
Click here to read more Picture This Post National Theatre UK stories. Coriolanus, across its two-and-a-half-hour length, is a markedly focused story of betrayal and revenge.
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How to make a donation to the National Theatre . Tom Hiddleston's Coriolanus is a lean, mean killing machine with crippled emotions in this exciting and intense production, says Charles Spencer . 210. Allyson Obber - 11th June 2020. Coriolanus is set in the early stages of the Roman republic, in the midst of plebeian revolts for grain. Alongside Lucy Osbourne’s intelligent design that lends itself to swift transitions, grand-scale orations and intimate interactions, this is Josie Rourke‘s Coriolanus: a triumph of vision and theatricality. WHEN Donald Trump denounced in 2018 the American press as enemies of the people, he might have had some vague notion the phrase originated with Shakespeare — but you could bet a bottom dollar or two he didn’t know it comes from Coriolanus and what, in that play, the phrase really means.
0 comments. In addition, Hiddleston slips into the armour of the Roman Emperor effortlessly.
Change ), You are commenting using your Google account. Posted on June 6, 2020 June 16, 2020 by Summer Hoagland-Abernathy. Paul Taylor. ■ Available on nationaltheatre.org.uk until Jun 11. Coriolanus at the National Theatre Online | Theatre review, Raise Hell: The Life and Times of Molly Ivins, A Night At The Musicals at Southwark Playhouse, Kol in Marylebone: A journey through the roots of real Mexican food, Pixie: An interview with writer-director duo Barnaby and Preston Thompson, Ben Harper – Winter Is for Lovers: Steel strings to soothe the soul, Kes Reimagined at The Space Online | Theatre review, A Monster Calls at the Old Vic Online | Theatre review. By. Within his first few moments onstage, his own blood is … T wo summers ago, National Theatre Wales stunned us with a version of Aeschylus's The Persians set in a military training camp.Now the same directors, Mike … Red cascades down on general Gaius Marcius Coriolanus at every turn. National Theatre Presents A Pop of Color. Available until 11 June. Open a copy of the play at any page and you can hear the sound and fury of Ancient Rome. Allyson Obber reviews the National Theatre At Home production of Coriolanus, and tustles with the politics on display. Coriolanus is available to view on the National Theatre’s YouTube channel from 4 th June until 11 th June 2020. 16 Shares. Tweet. The rich psychological relationship between mother and son is explored to a satisfyingly realised end. This Shakespeare tragedy lives up to its controversial legacy, just as intense and captivating when watched on a screen as it is live. Never having the ‘popular’ vote in Rome and turning his back on vengeance and his allegiance with the Volscians, Coriolanus’s downfall is swift. ( Log Out / Rourke’s slick production, soaked in the urban language of modern street protests, moves at a lick without compromising on clarity to depict in this ancient power struggle multiple stories of our times. Share. Whilst there is still a fair share of testosterone turned up to eleven, Rourke has taken a broadsword to the script and deftly crafted a lean, swift and feisty political thriller out of Shakespeare’s overblown Roman spectacle. THEATRE REVIEW Coriolanus National Theatre ★★★★☆ WHEN Donald Trump denounced in 2018 the American press as enemies of the people, he might have had some vague notion the phrase originated with Shakespeare — but you could bet a bottom dollar or two he didn’t know it comes from Coriolanus and what, in that play, the phrase really means.
The result is a profoundly affecting production that conveys the militarism and misunderstanding of the present day. Her command of the stage, as well as her son, is the driving force in the early stages of the production, and her maternal desire for her son to step down near the end is heartbreaking.
Emma-Jane Betts Photo: Johan Persson. Through a pointed depiction of Marcius’s aristocratic constitution and naivety about his growing unpopularity, the nature of his bitter contempt at the public is made all the more hard-hitting as he faces his political downfall. ( Log Out /
The end result is a powerful and pointed use of actors and stage to create a believably modern interpretation.
That thought is quickly put out to pasture thanks to Deborah Findlay‘s powerhouse performance as Caius Marcius’s mother Volumnia. Marcius, struggling with rebellions and dissent in Rome, is superbly dissected by Hiddleston. Pin. Rourke has also gleaned humour from this production, often in the shape of Mark Gatiss‘s Menenius. Whether it be words of wisdom or a thrown-away thought, the adaptation is powered by sharp wit and quick thinking. Shakespeare’s war-garlanded Roman consul is denounced as an enemy by a Roman citizen for believing in his right to rule over listening to what the people think — and is eventually forced from Rome. Review: Coriolanus (Donmar Warehouse via National Theatre at Home) To take a play as epic in scale as Coriolanus and find a natural home within the intimacy of London’s Donmar Warehouse take a skill and lightness of touch that is not only rare but all so often missed. Intensifying this journey is Deborah Findlay’s commanding presence as Marcius’s mother, Volumnia, forcing his hand towards the political offices of Rome. Birgitte Hjort Sorenson as Coriolanus’s wife Virgilia, trapped in a spiky rivalry with her mother in law, and from Elliot Levey as a slippery, manipulative tribune. His arrogance, charm, swagger and rarely seen vulnerability are all on show, as is his athletic prowess around the Donmar stage. Watching theatre on YouTube is obviously no replacement for the real thing, but I’ve found it hard going of late. For further information visit the theatre’s website here. Share 16.
Coriolanus, theatre review: 'Tom Hiddleston has blazing stellar power' Donmar Warehouse, London . The Donmar Warehouse’s 2014 production of Coriolanus, staring Tom Hiddleston, is now available to stream from the comfort of your own home. Through her compelling use of minimal stage design, Josie Rourke’s strong direction is laid bare against the brooding array of characters. Change ), You are commenting using your Twitter account. ( Log Out / As conditions gradually worsen, the violence of the production is brought to the forefront with a startling effect. There is super work, too, from Mark Gatiss as the charismatic patrician Menenius, from. Compounding the action is the almost bare stage, which daringly evokes both the action on stage and Coriolanus’s ever-creeping claustrophobia. In lesser productions, you’d be forgiven for thinking there wasn’t a female role of note. Article bookmarked. Coriolanus is available to view on the National Theatre’s YouTube channel from 4th June until 11th June 2020.
I miss the experience of live theatre so much.
Change ). Director Josie Rourke has sliced through a lot of the sound and most of the fury to get to the very heart of Shakespeare’s tragedy. Coriolanus review. Coriolanus streams on YouTube from 7pm on 4 June as part of National Theatre at Home. Coriolanus: Review. At a time of widespread civil unrest, the view of Marcius’s elitist world is particularly revealing of our own lives.
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