JF: Every drummer phrases things differently. I also like to find tapes that have good metronomic time, or use a click track or drum machine of some sort. I enjoy a lot of different things. I don’t recommend doing it the way I did it. JF: Right. RF: Regarding styles, if we go way back, we’re talking about . One person who recently influenced me a lot was Harvey Mason on the Headhunter album and on the tune “Headhunter” where he used the 16th-note phrase in the backbeat.
JF: Russia is another story. Then we record in January and February. Now I’m trying to catch up and find some instruction to learn the basic reading skills, which I feel all players should know. I wasn’t quite sure what kind of effect it would have on the sound of the drums, but I ordered them because I’m a real nut for things that look like they’ll be great. I saw them at my high school in 19_. I find that it’s very interesting to see how other people phrase things around the people in their groups. I use it in the studio and like it very much. I use that behind a set of Gon Bops raquinto and raconga, which are small hand drums. I’d been playing on a lot of old things that I’d played for so long and seemed to be okay. I like music that is very earthy and very emotional. RF: In 1977, you were the first American band chosen to tour Russia. I just never had the inclination to go out and buy a big, brand new set. Occasionally, I have to put a little piece on there to get an overtone out when I don’t have time to tune it out. RF: By the time you took over the drum seat once again, you were dealing primarily with the country tunes, is that correct? then {{format_dollars}}{{start_price}}{{format_cents}} per month. I used to go out to the garage, sit in a chair, put the old metronome on, and tap my feet—right-left, right-left, right-left. Although he will be the last one in the band to reach the 70-year mark, he’s already feeling the aches and inconveniences. “They’ll sing all the words and we’ll be astounded,” Fadden recalled. I use that behind a set of Gon Bops raquinto and raconga, which are small hand drums. I wouldn’t give it up, though. As I said before, sometimes other things take precedence, and his position in front as bass player, frontman, and lead vocalist was more important than having him as drummer.
I use that on things like “American Dream,” which has a little Latin flavor.
Oddly enough, some of my first playing experiences were with playing harmonica in a rack. That’s been a great help to me. I don’t have the time to get involved in some aspects to the degree that I would like to, what with having a family and a busy touring schedule. It’s very easy to travel with also. It’s tedious to play from front to back without changing the feel, and keep the time consistent and feeling good.
RF: Is it difficult working in a band where nearly everyone has played drums? I don’t think I’ll ever be able to play like Danny Gottlieb and Rod Morgenstein, but I sure enjoy what they do. He said, “Go for tone. I do play some fills, occasionally at the end of a solo, but I’ll just be playing one finishing note of the solo on the harmonica. It’s pretty simple. RF: Were you playing drums during the Jealousy period of time? The work hurts sometimes; Fadden said a bad rotator cuff causes the drummer to play hurt every so often, but he doesn’t notice it while he’s playing – or at least he tries not to let it show. I’m endorsing Zildjian cymbals, and my current setup is, starting from my left, a 14″ or 16″ paper thin, an 18″ medium, which might constitute a crash/ride, and a 20″ K. ride. I attempt to get both hands and arms feeling as close together as possible, and to get myself centered. RF: When you recommitted yourself to drums, how did you go about preparing for that venture? Nineteen sixty-six was an important year in the history of country-rock. We’ve played large arenas in rock shows and small clubs where it was strictly a group of people who were accustomed to hearing honky-tonk music. JF: I really like playing “Will The Circle Be Unbroken,” because I play a sneaky version of a shuffle that nobody catches on to. The day after the Nitty Gritty Dirt Band played a Fourth of July celebration show in Nashville, drummer Jimmie Fadden returned to his “rock ‘n’ roll” life in Florida, throwing dirty clothes in the laundry room, checking the mailbox for letters and looking around the house for stray lizards and bugs. “We have time to ourselves. We didn’t incorporate drums into the band until we started getting a little more legitimate, instrument-wise. One of my earlier influences was bluegrass, and then I became very interested in blues.
He was one of our first engineers in California, and I learned a lot about what to do when you’re recording 4-track. Q - You guys have just come off the road after a twelve day tour. If you play too fast, it can just become a jumbled mess. Take the day off from work! I don’t particularly use all my drums all the time, but I use a lot of it for coloration in the music.
When I was up front, if somebody back there wasn’t kicking it in, I noticed it and wanted to be back there doing it. Steve Martin had a great line. But then again, there are times when all they have to do is drive five miles to work, and I’m flying to Alaska to do a show. RF: Who were some of your other influences? That’s sort of my forte. RF: Early on, you guys were doing all kinds of things musically. But if you look at it this way, there are a lot of people out of work, and I’m really happy to have a job and to be able to play for the number of people that we’ve garnered over the years that we’ve been together. National Holiday for all of you who play harmonica and drums at the same time. Fontana played.
I have an old Ludwig Black Beauty concert snare—which is no longer black, but brass—with the tube tension castings.
I play those with the Blasticks, I’ve gone back to using Remo white Emperor.
I’ve always loved the drums. It’s a matter of going out and working for what you want. It’s easy sometimes, in that they understand what I’m doing. I love Jeff Porcaro’s playing, because he has such great hi-hat things. Don’t let the fires go out.” He always wanted a snare that was 10″ deep with gut snares. By the time the group was formally together, Fadden’s arsenal of instruments included autoharp, mandolin, harmonica, washtub bass, and jug—perfect for the acoustic folk/rock the band was featuring. Nashville has become Fadden’s home away from home when he is not with his family in Florida, or on the road, which is the majority of the time.
We try to increase the intensity a little bit, as well as the tempo. I played on “Telluride,” “Putt-Putt,” “Red Neck Riviera,” “Leon MacDuff”—most of the brushwork. Maybe you have pulled a muscle on one side from lifting something.
| Where in this area can one go to see a guitar that Elvis once pitched off a stage? People miked drums differently then, and the ensemble concept was a little freer. John enjoys bluegrass and the more country side of things. To slay an audience is certainly Jimmie Fadden’s modus operandi. A lot of times, I’m just playing 1 and 3 on the bass drum, which gives Jimmy Ibbotson the room to incorporate some different things on the bass. I was trying to figure out why I was playing with the butt all the time, and it was right in front of my face. I find that, in picking the stick up as opposed to letting it come up, it makes me work a little harder. The band, through its many forms, reached its 50-year milestone in May. “We don’t work all year long,” said Fadden. It’s very simple, and the bass and the bass drum play almost exclusively together, where one doesn’t play without the other very often. Like I was saying earlier, Bob and I dabble with that in the afternoon, just because he has the ability to play certain things that are beyond me, and it’s a real challenge to work at things like that. “The usual exciting stuff,” he said with a laugh. Are they different in the pop world than they are in the country world? Nobody was playing drums at that time. That way, I get a chance to settle down with time, and I’m not being influenced by another player’s time. I think you discussed this with Larrie Londin, and there was an example along with that interview. I consider myself a driving wheel. RF: When drums were first added, you were nominated for the auspicious task of drummer. At that point in my life, I realized that, if that’s how I felt about it, I ought to be back there doing it.
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